In submitting to a prison life, embracing it, I could reject the world that had rejected me.
All night long I built an imaginary life of which he was the center, and I always gave that life which was begun over and over and transformed a dozen times a violent end.
I felt myself growing mean, icy, stiff, gleaming like a sword blade.
A man must dream a long time in order to act with grandeur, and dream is nursed in the dark.$#

很久没有影片刺激我写点字了……
在骡子上拖了近半个月，昨天刚下下来就迫不及待地看了，被震住。今天忍不住又看了一遍，再来乱发一通言。
其实要一下把这么纠结的东西捋清楚不太现实。Todd Haynes真是个有趣的导演，这片也算他的第一部长片。（在那之前他拍过一个关于兰波的短片，据说很不错，但现在基本销声匿迹了。然后是关于卡朋特的短片，因为版权问题也被禁映了= =）有些人觉得Todd在Poison里过于炫技，没有处理好三段之间的关系，我是完全不同意的。这部电影的结构和技巧部分充分体现了他作为导演的才华，而在思想主题上，他该表达的都表达了，面对复杂的可能的多重解释，他却没有说更多，也许是我喜欢这样的手法，所以觉得在这点Poison比之后的 Velvet Goldmine要做得聪明，而I'm Not There也做得不错。在叙述中，他貌似客观地描述每一个故事，却在其中隐藏自己喜爱的“恶趣味”，有人说Todd的这种叙述是布莱希特式的，我更觉得是庞德式的。
这部片平行讲着三个基本毫不相关的故事，用的是完全不同的拍摄手法

Queer filmmaker Todd Haynes' debut feature POISON dazzles as a multi-faceted cinematic triptych, three segments: Hero, Horror, Homo, all inspired by Jean Genet's novels (with his texts sporadically materialize on the screen as inner beacons), are intertwined altogether yet each is bestowed with a sui generis visual style that speaks volumes of Haynes' eclectic idioms.

“毒药”出品精良！[Last Film I Watched] Poison (1991)
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