阿尔及尔之战:讲述了阿尔及利亚在法国殖民统治下艰难独立的故事。国际解放组织拉拢了人心,也付出了生命的代价。革命不是为了制造恐怖袭击,而是为了团结人心。男女老少全民皆兵,全部参与到为自己争取民主自由的权利之中。让人敬佩,也让人羡慕!开头的犯人在影片最后高密害死了阿里。采用了插叙。女人叫嚣着,也战斗着!
我不知道有没有绝对正义的战争,再客观的评价也是有局限性的。比如,同一场战争,美国称“韩国冲突”,韩国称“六二五事变”,日本称“朝鲜动乱”,中国称“抗美援朝战争”,朝鲜则称“祖国解放战争”。同样的,对于阿尔及尔之战,在民族解放阵线眼里是反对殖民的独立战争,而在法国人眼里则是典型的叛乱。当联合国越来越像是强权政治的工具,我只能说,还不如看维基百科更中立。
但可以肯定的是,不管大战小战名战暗战,最惨的一定是老百姓,是那些或被煽动而一时冲动、或逼上梁山走投无路、或莫名卷入逃无可逃的牺牲品。不管你站在谁的立场,善良理智的人们都会为了广岛和长崎几十万的冤魂哀悼,都会为了本片中咖啡管、舞厅、机场、球场的无辜生命叹息。最后一幕中,阿里为了信仰拒不投降,但我分明看到那个孩子的求生欲望,那位新娘的悲痛欲绝。政治家们说,革命就要流血;军事家们说,枪杆子里出政权。我不是否定这些理论,只是……只是……或许人类进化到这个阶段,就注定要有贪欲和不公,注定要有杀戮和战争。大部分时候,我们都无能为力。
Maybe the most noticable and significant characteristic of this film is its taste of documentary, which coincides with trait of italian neorealism. Shooting on location is not due to cost minimizing. The director's purpose is to show what is really going on in the streets of algiers, the struggle, the pain, and the wit of people in algiers. Because of this sense of realism, no wonder this film is banned in france for years. The film reveals its neorealism in showing the common people rather than socialites, specifically, in showing the women in Algiers. Although they are not as strong as men, they contributed to the uprising no less than man. Its stress on common people in Algiers indicates that everyone is willing to make a sacrifice to the independence of their nation. Common people can be best potrayed by non-professional or semi-professional actors. Although this film is centere
——电影很真实,以纪录片式的写实手法对阿尔及尔之战的前前后后、重点情节进行了刻画,最后的几十分钟场面宛如重历历史。真的很佩服导演的勇气和功力。
——我较为用心地观看了影片开始部分的剪辑手法,真的有种教科书级的水准。因此,我建议对历史不感兴趣,但是对剪辑、导演感兴趣的朋友认真看看,仅仅就其技术技巧而言,也是相当不错的。
阿尔及尔之战:星月旗下的挣扎
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