- 我一直想知道电影的本质是什么
-电影就像个战场。爱情、仇恨、动作、暴力、死亡。一个词概括，情感。
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不管怎么说，我们死的时候….比如六十年后，一定会知道，你我是不是永远相爱。
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这就是我伤感的原因：生活与书本中的完全不同。我希望他们能够一样，清晰、逻辑、有序。但他们偏偏不是。生活就是这样。
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- 你在做什么？看我自己。
- 你看到什么？一个将要以60英里时速将车开下山崖的人。
- 我看到一个女人，她的爱人将要以60英里时速将车开下山崖。
- 那我们接吻吧。
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归根结底
Jean-Luc Godard, a former film critic at Cahiers du cinéma, once said that the only valid way to criticize a movie was to make one of your own. He and his fellow Nouvelle Vague filmmakers broke the conservative paradigm in editing, shooting, and narrative form after attacking the “tradition of quality,” the commercial scenarist tradition with emphasis on plot and dialogue. Godard commented: “We barged into the cinema like cavemen into the Versailles of Louis the 15th.” Pierrot le fou, among all other cinematic experiments by Godard, is probably his most radical, original, and iconoclastic one. Its plotless and disjunctive narration is heavily self-reflexive and thought-provoking.
“狂人皮埃罗”1965年度佳片，等待在虚无之后的是什么？
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