Wes Anderson is known for making independent-type stylistic films which mix poignancy and dry humor. Anderson’s films, visually, often make use of close-ups, quick pans, and slow motion shots. He often uses folk and early rock as the background-music in scenes. His often damaged characters are viewed in a compassionate light. The depiction of escapism and companionship through chemicals seems to be one of his trademarks also. In each of his films, one or more of the main characters smokes cigarettes or marijuana, excessively drinks, takes pills, etc. Additionally, his films often feature a heavy-smoking female character. A recurring character in Anderson's films is a respected middle aged male who is essentially a fraud. All of Anderson's films, with the exception of The Darjeeling Limited, end with slow motion sequences - although The Darjeeling Limited's third to last shot is in sl
第三部韦斯·安德森的片子，真的一如既往的妙趣横生啊！他的片子辨识度实在太高了，浓浓他的味道在电影到处都是，每个人物幼稚又严肃的样子真的在别人的电影很难找得到。本来下了下来先瞄一下开头以后再看，看了一下开头真的没办法停下来了，实在太有趣了，也可能自己有过类似经历吧，代入感真的很强，而里面的那个女老师真的好漂亮，换作谁也都无法自拨吧！
蛮奇怪专注于文艺dvd的CC公司会出这样的青春喜剧片，虽然比the rock要靠谱些。了解一下CC公司对Wes Anderson的偏爱之后，恍然大悟，要知道Anderson的Tenenbaums和Life Aquatic还在制作的时候，CC公司便在捣鼓着相应的DVD。
导演Wesley Wales Anderson生于1969年，是比昆汀还小一辈的美国独立导演。他在休斯敦的一所私立学校上过学，正是这段生活被当作素材用于创作电影Rushmore。Rushmore是一所私立学校的名字，在那上学的主角Max聪明早熟（查了一下，18岁演15岁，不可不谓早啊），可他的精力都投在了众多的兴趣爱好上，成绩差劲。在一个偶然情况下，他喜欢上了一位女老师Cross。故事发展下去，Max的忘年好友Herman（Bill Murray）对Cross也极为中意。于是，男人间的战争爆发了。
这不是个爆笑或者浪漫的故事，不过它处处充满青春的气息，哪怕老头Herman也像个孩子。Bill Murray在这里的演出同其他作品相比不能算是精彩，只能算是中规中举。电影最打动我的地方是从头到尾精彩的配乐，大多是六七十年代的民谣和摇滚
【青春年少】只是一时的感慨
转载请注明网址: https://www.hfthsc.com/voddetail/30765.html
