据说雪莱这么说过一句:“不穿裙子的时代到来了,不穿裤子的时代还远么?”。这是否是现代西方脱文化的滥觞,我真的不知道。只晓得Christian Dior是第一个把裙子剪到小腿以上部位的时装设计师。而玛丽莲·梦露落落大方向全世界宣告:I want the world to see my body。之后是麦当娜在演唱会上经典的电眼红唇,鱼雷胸罩,内衣外穿。从1974英国出现第一例裸奔,到2005年温布尔登网球赛的“山寨夏娃”,再到近来女网球选手扬科维奇在球场上众目睽睽之下换内裤。这些“脱故事”均是女子居多,无论是在平常生活还是色情行当里,男人当众脱衣的寥寥无几。
大部分男人的反应是横眉冷对:让老子为你脱衣服?!开什么玩笑?!
但让人莞尔的是,就是在以保守著称的大不列颠,出产了这部让人又哭又笑的《The Full Monty》,中文名为一脱到底或者脱衣舞男,港译为光猪六壮士。个人认为,港译更为传神有趣。脱衣舞男的说法让人有职业方面的联想,甚至想到鸭子,但这部电影里的六个男人却怎么也谈不上professional。他们是一个异于常规与传统的非典型组合:一瘦
The film takes place in Sheffield of England, a place which used to be famous for steel production. It had gone through a vigorious period in economic development, and yet industry declined which led to the redundancy of labors.
Gaz and Dave spent most of their time in the employment centre and were fed up with the environment, thus planned a striptease act.
They formed a six men gang and started to practise.
Each man of the gang had their own problems, for example:
Gaz had to pay estovers for his wife so as to retain his dignity as a father.
Dave was awared of his weight and felt belittled by his wife.
Gerald sealed his unemployed status from his wife and had to deal with his lavish-spending wife.
The Six men supported each other and the brotherhood was highlighted. It was a journey of self discovery and the pursuit of dignity.
一位影迷说的太精到了,英国电影就是有分寸。
没有大悲大喜,大乐大哀,情绪都是轻轻地流露出来,绝不给观众造成感情负担。
这大概就是英国人的智慧吧,这些面对失业困境的各色钢工,叫中国电影可以拍出苦大仇深来,叫美国电影可以拍出东山再起,励志昂扬来,叫法国电影可以拍出艰辛浪漫来,但是英国人,从来不逃避真实的紧要。
窘迫又如何呢,jb小又怎么样,光猪的最终能走上舞台,让小人物映光辉~
p.s.大叔老而弥艳,胖子身姿绰约~爱死你们啦!!!
有段时间,好像是为了学习英语口语,我开始看老友记,后来发现口语没什么提高,段子水平倒有所改善。看“脱衣舞男”(也译为“光猪六壮士”,象卖肉师傅一样,太俗)目的就很单纯,剧情很符合目前成功学的主旋律,如果这部电影可以在影院公开放映,陈安之的生意就会差许多。
吉斯是破产钢厂的下岗员工,前妻因为他不交赡养费而不让他和儿子见面。吉斯和好友戴夫决定组织个脱衣舞男团。虽然是业余玩票演出,吉斯却本着对观众负责的态度,精益求精。即然是舞男,舞蹈是基础,他们三顾茅庐,请精通舞蹈的原钢厂工头杰罗担任教练,从超市跑来舞蹈录像带参照研究。相比之下,韦春花的敬业精神就有很大提升空间,从业几十年,还是只会唱“相思五更调”。
和现在以貌取人和充斥阳谋的选秀节目不同(闪闪应该感触最深),吉斯同学本着以德挂帅,德艺双馨的标准,严格挑选了年过五十的劲舞者马先生和前水电工盖伊,特别是小同志盖伊,在才艺表演中得了零分,当评委失望地问到:“那你还懂什么呢?”,盖伊从容地回答“我会这个”,在五秒钟内脱下底裤,哇
光猪六壮士:做恶人,不做“老”好人
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